strangers on a train tennis match

Enhancements you chose aren't available for this seller. the DVD, 12 minutes and 16 seconds into the running time. The two men are as different as can be but both have the saem problem. where Guy scans the crowd at a tennis match and observes that all of the heads "[12] Chandler also felt that the original novel's plot was superior to Hitchcock's version, and argued that it should be restored. Guy wants The premise is fascinating because it was far more intricate than I had been led to believe. [6] He added the film in his Great Movies list. One is tennis star Guy Hianes (Farley Granger) who is in the process of divorcing his unfaithful wife and the other is Bruno Antony, (Robert Walker) the psychopath son of a wealthy man who hates. "[55], Although its first rumblings came in 1947 with the trial and conviction of the "Hollywood Ten," the so-called Red Scare was gathering steam in 1950, with the espionage-related arrests of Julius and Ethel Rosenberg and the trial of Alger Hiss. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. A film of noir moments galore. The police assign an escort to watch him. The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. Senator Morton: She was a human being. The novel has been adapted multiple times, most famously by Alfred Hitchcock in his 1951 film. The film's climax, which takes place on a carousel, is one of the most complex scenes ever shot by the director. only the whites of his eyes showing. place from Highsmith, whose novels have been unfairly shelved with crime a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne On a train, wealthy smooth-talking psychopath Bruno Antony recognizes Haines and reveals his idea for a murder scheme: two strangers meet and "swap murders" Bruno suggests he kill Miriam and Guy kill Bruno's hated father. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Between the two versions of the film, the "British" version most prominently omits the final scene on the train. [42] Hitchcock and Patricia both were afraid of heights, and father offered daughter a hundred dollars to ride the Ferris wheel only to order the power cut, leaving her in the dark at the very top of the ride. blurting out what everyone is afraid to say. The In the casting of Anne Morton, Jack L. Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. The worker who called the police tells them that Bruno, not Guy, is the one he remembers seeing the night of the murder. "The scene gives a beautifully exact symbolic expression to Guy's relationship with Bruno and what he stands for. But, for all that, his basic premise of fear fired by menace is so thin and so utterly unconvincing that the story just does not stand. "[29], Hitchcock was, above all, the master of great visual setpieces,[32] and "[p]erhaps the most memorable sequence in Strangers on a Train is the climactic fight on a berserk carousel. Reviewed in the United States on January 10, 2023. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. whose conversation shows a detailed knowledge of Guy's private life. is this sense of two flawed characters -- one evil, one weak, with an unstated [17] Although Ormonde was without a formal screen credit, she did have two things in her favor: her recently published collection of short stories, Laughter From Downstairs, was attracting good notices from critics, and she was "a fair-haired beauty with long shimmering hair. (original music by) Cinematography by Robert Burks . + a trailer. The director told Ormonde to forget all about the book, then told her the story of the film himself, from beginning to end. "[I]n one of the most unexpected, most aesthetically justified moments in film,"[29] the slow, almost graceful, murder is shown as a reflection in the victim's eyeglasses, which have been jarred loose from her head and dropped to the ground. Patricia Hitchcock and Kasey Rogers look a little alike and wear very "seductiveness" in the American print. But a men's three-set tennis match can be eleven hours or thirty minutes, depending on tiebreakers and whether it even goes to three sets at all. Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. "criss-cross" murder deal in "Strangers on a Train" indeed there's the famous sequence involving a runaway merry-go-round, on which Guy The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. So Hitchcock had an oversized phone constructed and placed in the foreground. The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. Then a police car pulls up [43] First of all, she was not up there alone: flanking her were the actors playing Miriam's two boyfriends "and I have a picture of us waving. upstairs in the dark in Bruno's house, Hitchcock told Truffaut, he hit on the Now look at how Alfred Hitchcock reinforces the duality of human nature. ("he's stronger," he told Francois Truffaut), but Holden would have Bruno mentions Guy's missing cigarette lighter to Anne and claims that Guy asked him to search the murder site for it. Hitchcock and his cast and crew decamped for the East Coast on October 17, 1950. [44] Hitchcock made personal appearances in most of them, and was often accompanied by his daughter. Another great shot shows Bruno's face in the shadow of his hat brim, To add the following enhancements to your purchase, choose a different seller. Where was the tennis match in Strangers on a Train? "perfect crime" in which he would murder Guy's wife, Guy would murder Bruno sends Guy a package containing a pistol, a house key, and a map showing the location of his father's bedroom. Highsmith (1921-1995), who in her Ripley novels and elsewhere was fascinated by meeting on the train, which was probably planned by Bruno, plays more like a I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. Diabolique, intriguing, morally ambiguous and wonderfully directed and narrated. Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. Here you will find unforgettable moments, scenes and lines from all your favorite films. When Guy arrives home, Bruno informs him Miriam is dead and insists that he must now honor their deal. Built on the cummins singapore email address, Animal Adventure Little Luxuries Premium 38 Jumbo Plush Dino. Each will murder a stranger, with no apparent motive, so neither will be suspected. Warner Bros financial information in The William Shaefer Ledger. On the train, he is recognized by Bruno Antony ( Robert Walker ), an overly friendly man who talks Guy into having lunch with him in his private cabin. Strangers On a Train (1951) In Alfred Hitchcock's thriller - an adaptation from Patricia Highsmith's first novel about amoral murderers who 'traded' or 'exchanged' crimes: the opening sequence introduced the duality of the two 'strangers on a train' with their distinctive contrasting shoes: - Bruno Antony (Robert Walker), a . When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. Next, Hitchcock tried to hire Ben Hecht, but learned he was unavailable. Waiting for the blu ray to comes out, but this Dvd is truly excellent. "[30] The first six takes went badlyElliott thudded to the floor with several feet yet to go[23]but on the seventh take, she floated smoothly all the way. Unreliable citations may be challenged or deleted. space underlined the tension in ways the audience is not always aware of. The camera switches back and forth from the tennis match to Bruno dropping the lighter down a grate of a storm drain and struggling to recover it. Hitchcock had a crew shoot background footage of the 1950 Davis Cup finals held August 2527, 1950 at the West Side Tennis Club in Forest Hills, New York. producer (uncredited) Music by Dimitri Tiomkin . Best known is the one Highsmith was a chameleon, a renegade, an experimenter, a loner, and a fantastically brave innovator. ( IMDB). the Forest Hills tennis club. Interesting more as an "intellectual exercise" than anything else, but indispensable for those interested in seeing how Hitchcock continued to shape his films after an initial cut. After Guy arrives, he and Bruno fight on the park's carousel. Is he just lonely? "[37] Bruno, who tells Guy on the train that he admires people "who do things", gets a more vigorous musical treatment from Tiomkin: "Harmonic complexity defines the motifs associated with Bruno: rumbling bass, shocking clusters, and glassy string harmonics. "[59], Conversely, Bosley Crowther of The New York Times criticized the film: "Mr. Hitchcock again is tossing a crazy murder story in the air and trying to con us into thinking that it will stand up without support. Highsmith Shipping cost, delivery date, and order total (including tax) shown at checkout. Interesting premise but really poor pacing, Reviewed in the United States on January 5, 2023. Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. [28] Anne reaches for the big phone, but actually answers a regular one: "I did that on one take", Hitchcock explained, "by moving in on Anne so that the big phone went out of the frame as she reached for it. With no known link between the two men, the police would be none the wiser, would they? Criss-cross. Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. Walker eats up the scenery and appears charming at first, if too friendly, then he delves into hatred and . Hitchcock also cast Granger in "Rope" (1948), based on the [10], Hitchcock secured the rights to the Patricia Highsmith novel for just $7,500 since it was her first novel. Strangers on a Train PG 1951, Mystery & thriller, 1h 41m 98% Tomatometer 53 Reviews 92% Audience Score 25,000+ Ratings What to know critics consensus A provocative premise and inventive set. Guy infers that Bruno intends to plant it at the scene of the murder and incriminate him. But Hitchcock takes music to another level. Robert Walker performance benefits from a subtle tense urgency that perhaps Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images) 1000 Frames of Strangers on a Train (1951), articles about Strangers on a Train (1951), web links to information, articles, reviews, etc, Strangers on a Train (1951) - Warner Brothers (Blu-ray, UK, 2012), Alfred Hitchcock Collection - Warner Brothers (Blu-ray, UK, 2012), Der Fremde im Zug (1951) - Warner Brothers (Blu-ray, Germany, 2012), Strangers on a Train (1951) - Warner Brothers (Blu-ray, USA, 2012), Strangers on a Train (1951) - DVD releases, Strangers on a Train (1951) - Warner Brothers (UK, 2004), Strangers on a Train (1951) - Warner Brothers (USA, 2004), http://the.hitchcock.zone/w/index.php?title=Strangers_on_a_Train_(1951)&oldid=196012, to view all of the DVD releases of this film, see. [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. The unusual angle was a more complex proposition than it seems. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Disc1 contains the movie in a good looking & sounding print Review of 2 Disc 2004 Warner Bros edition(with orange & white cover)- As this well known film(from 1951) is equally well analysed & described In many other reviews I'll just give an overview of what's on the discs. always used the convention that the left side of the screen is for evil and/or Dimitri Tiomkin's score, Robert Burke's cinematography, and Raymond Chandler's screenplay all add to this masterpiece. Behind the Story contains these featurettes: Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing the importance of the film in the Hitchcock canon; Strangers on a Train: The Victim's P.O.V. "He had to have one person in each film he could harass," Granger said. The rest was complete by early November. Ordinary Washington locations become sinister hunting grounds that mirror perfectly the creeping terror that slowly consumes Guy, as the lethally smooth Bruno relentlessly pursues him to a frenzied climax. In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. With cast nailed down, a script in hand, and a director of photography in tune with Hitchcock's vision on board, the company was ready to commence filming. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. His gaze falls upon Barbara, whose appearance resembles Miriam's. It was Hitchcock, not Tiomkin, whose idea brought the four evocative numbers[8] "The Band Played On", "Carolina in the Morning", "Oh, You Beautiful Doll", and "Baby Face" to the soundtrack: In one of Hitchcock's most explicit operatic gestures, the characters at the fateful carnival sing the score, giving it full dimension as part of the drama. Tennis star Guy (Farley Granger) hates his unfaithful wife. "[50], Bruno tells Guy early on that he admires him: "I certainly admire people who do things", he says. Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. "[53] Bruno tells Guy what he has done and gives him the glasses. She threatens to claim that he is the father, in order to thwart any divorce attempt. He has no patience with mediocrity on the set or at a dinner table. The first encounter between Bruno and Guy on the train is longer, and features a more obvious homoerotic flirtation by Bruno; In the scene where Guy sneaks out of his apartment to go to Bruno's house, a shot of him opening a drawer to get the map Bruno sketched is added; The very last scene in the US version, which involves a clergyman, was deleted. Mysterious Bruno (Robert Walker) hates his father. [13] With treatment in hand, Hitchcock shopped for a screenwriter; he wanted a "name" writer to lend some prestige to the screenplay, but was turned down by eight writers, including John Steinbeck and Thornton Wilder, all of whom thought the story too tawdry and were put off by Highsmith's first-timer status. Guy goes to the Mortons' home, where Anne's father informs Guy that his wife has been murdered. conversational web instead of flatly rejecting him. station with a note asking the sergeant to lock him up until called for. With his new writer, he wanted to start from square one: At their first conference, Hitchcock made a show of pinching his nose, then holding up Chandler's draft with his thumb and forefinger and dropping it into a wastebasket. --Jeff Shannon, Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.Learn more how customers reviews work on Amazon, [{"displayPrice":"$8.99","priceAmount":8.99,"currencySymbol":"$","integerValue":"8","decimalSeparator":".","fractionalValue":"99","symbolPosition":"left","hasSpace":false,"showFractionalPartIfEmpty":true,"offerListingId":"ljxr4RXVFhT%2BPKRvZQtlYfMQPNkFvRWItSCJh6gvH8GODWGblG4sOglXU76ALdS03DRPExbb%2FgT4ZclL52JN1JP63V80l0djKnnQ%2FjE7RB2b7X5Iga6UtCyo5UN0UwFtFdwFKEiMfxcgxAttav%2FH4txtYXoihOdmJf71qTDZgulgppJc7UoNeUIOV4CKcI3Q","locale":"en-US","buyingOptionType":"USED"}]. Hitchcock insists on perfection. No Highsmith cameo The aestheticizing of the horror somehow enables the audience to contemplate more fully its reality. If you haven't seen it, it's time to change that! The film was later made available on Blu-ray in 2012 with the same contents as the 2004 DVD edition. Bruno's father, and neither would ever be suspected. Anne's sister Barbara says that the police will think that Guy is the murderer since he has a motive. Rowland V. Lee Ranch - Fallbrook Avenue, Canoga Park, Los Angeles, California, USA. "[48] It ratchets up a notch when Guy leaves Bruno's compartment and "forgets" his cigarette lighter. This is one of Alfred Hitchcock's most complex amd multi-layered films. on a Train" is not a psychological study, however, but a first-rate Guy takes this as a joke, but Bruno is serious and takes things into his own hands. Did Hitchcock intend for Bruno to be attracted to Guy? [69] A two-disc DVD edition was released in 2004 containing both versions of the film, this time with the "British" version titled "Preview Version" (102:49 long) and the "Hollywood" version titled "Final Release Version" (100:40 long). Once on the train, Bruno orders a pair of double drinks "The only kind of doubles I play", he says charmingly. "[28], Principal photography wrapped just before Christmas, and Hitchcock and Alma left for a vacation in Santa Cruz,[26] then in late March 1951, on to St. Moritz, for a 25th anniversary European excursion. "When Bruno openly suggests he would like to kill his wife, he merely grins and says 'That's a morbid thought,' but we sense the tension that underlies it. It See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 131 p 31 DOI: 10.1080/01439689508604551, Warner Bros. press release #HO9-1251, November 30, 1950, Learn how and when to remove these template messages, introducing citations to additional sources, Learn how and when to remove this template message, Influence on Carol Burnett's Star on Hollywood Walk of Fame, "Armchair Audience: The Moving Toyshop (1946)", "The Screen In Review; 'Strangers on a Train,' Another Hitchcock Venture, Arrives at the Warner Theatre", "My Favourite Hitchcock: Strangers on a Train", "Two Men Inspired By 'Throw Momma from the Train' Fail To Get Away With Murder", "David Fincher, 'Strangers on a Train,' and the Tricky Business of Remaking Hitchcock", German Concentration Camps Factual Survey, Alfred Hitchcock: The Art of Making Movies, Alfred Hitchcock and the Making of Psycho, https://en.wikipedia.org/w/index.php?title=Strangers_on_a_Train_(film)&oldid=1134435612, Films based on works by Patricia Highsmith, Films with screenplays by Raymond Chandler, United States National Film Registry films, Articles needing additional references from June 2022, All articles needing additional references, Articles lacking reliable references from June 2022, Articles with multiple maintenance issues, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 18 January 2023, at 17:53.

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